November Tale of Oshala the Hex, “Battle of Oak and Acorn,” now available

I hope you’re all enjoying this month’s Wayfarings of Sabit story, “Blossom of Ruin.” Chapter Fifteen goes up tomorrow!

November’s Tale of Oshala the Hex, “Battle of Oak and Acorn,” is now available. I know that stories are supposed to be like children and I’m supposed to love them all equally. But this one is my favorite tale I’ve written so far. I’m very pleased with the way the multiple strands of the story came together, and am excited to be able to share it with you.

Plus, what’s not to love about armies of ghostly soldiers?

If you’re a member of my Patreon at a certain level, you will receive this story as a reward for your support.

About the Story:

A world of dark sorcery—an age of sharpened bronze. An ancient battlefield holds both a deathly curse and the potential for a brighter future. Can Oshala the Hex lay to rest two armies of spectres locked in centuries of conflict, or will the blood of innocents water this field once more?

This is a 5,000-word short story in the sword-and-sorcery genre.

The ebook is available from these retailers:

Thanks again! Enjoy the story! If you do, consider posting a review.

“A Life Worth Dying For”, a Tale of Oshala the Hex, now available

A Life Worth Dying For cover
The next sword-and-sorcery tale of Oshala the Hex is now available.

This tale includes the fate of a past love, the fate of a dark future, otherworldly slave-drivers, feats of acrobatic skill, travel to realm of dreams, a cursed graveyard, an ancient tower of learning, a twisted prophesy, close combat on the top of a spire, a people freed of their fetters, and a broken heart.

From the blurb:
A world of dark sorcery—a time of sharpened bronze.

The pale tower of the Academy has governed the city of Lytrops with wisdom and learning for centuries. When Oshala the Hex finds the entire city forced into menial labor and her lover beset by restless spirits, what price will she pay to break their chains?

This is a 6,900-word short story in the sword-and-sorcery genre.

The story is now available for purchase at these fine retailers:

Seven Samurai and Genre Expectations

I watched Seven Samurai last night for the first time. It is, of course, masterfully done. The visuals are so rich and the story is so well-told.

We watched it on Hulu, where it’s part of the Criterion Collection. So after the feature they had a short documentary about the film, its inspirations, its impact on the genre, and its context in Japanese history. Although I had know that it was one of those “masterpiece films” that everybody talks about, I hadn’t realized that it came out only a few years after the end of the American Occupation and how that informed what was going on in the film. Kurosawa was not just making a brilliant genre picture, he was taking bits and pieces of samurai genre conventions and remixing them in a way that applied to the new reality of post-war, post-occupation Japan. There are no questions of loyalty to one’s lord in this story; the samurai are hired by the common people, collectively. While the samurai do display stereotypical traits drawn from the genre, they are each an individual. The end shows the villagers victorious, and the samurai as dying off, with no place in society. To say these things less than a decade after the Japanese militarists had used ideas of bushido to rally the people to greater sacrifice in a losing war was, and still is, powerful stuff.

I’ve been thinking along similar lines myself about this sword-and-sorcery fiction I’ve been writing. There are so many horrible genre conventions in sword-and-sorcery, from “might makes right” to issues of gender to legitimate authority deriving from birth. But I feel there is also power in the genre, and virtue can be found there. A world so big and vast that you will only ever scratch the surface of it, no matter how much you study; and yet, still being able to have an impact. The idea that your future is in your own hands. The idea that individual actions are the root of positive change. I’d like to remix sword-and-sorcery into something relevant for the 21st century, much like Kurosawa did for samurai film.

Anyway, yeah, a really great film. Got me thinking.

“The Mercy We Make” the first tale of Oshala the Hex, now available

The Mercy We Make Cover
My first foray into sword-and-sorcery fiction is now available!

I’ve never found the “sword” quite as compelling as the “sorcery”, so the main character of my stories, Oshala the Hex, is a sorceress who has sacrificed part of herself in exchange for magical power that few others possess.

In this first short story, “The Mercy We Make”, Oshala the Hex is a solitary figure who breaches the stoic mountain fastness of a long-forgotten emperor in search of an ancient artifact. The undying spirits within welcome a new, living soul to torment. But who will get the better of whom? Can Oshala the Hex escape where multitudes have fallen? Will her mission of mercy end in triumph, or eons of unending torment?

Check back next month for a new tale of Oshala the Hex.

The first 5,000-word tale is now available from these fine retailers: